Movement, Memory and the Machine (2024-2026)
How do you tell the story of a lifetime of artistic practice? After more than two decades working across performance, dance, textiles, music, and photography, I'm using both physical archives and AI systems to make sense of my work. I've kept handwritten diaries since 2000 and documented my practice extensively through photographs and negatives. Now I'm experimenting with feeding this raw material into algorithmic systems to see what patterns emerge—and more importantly, what gets lost in translation. These "errors" and distortions reveal something essential about embodied knowledge and what remains irreducibly human.
Supported by Kulturförderung Kanton Luzern, the project included an exhibition at Redaktion Galerie (August 2025) and continues with a show at Ahoi Galerie (May 2026), alongside hybrid works that combine handmade objects with AI-generated narratives. Rather than treating AI as just another tool, I'm interested in the friction between my intuitive, body-based practice and the machine's logic. The research asks: what does it mean to be human in the age of algorithms, and how can artists develop new ways of storytelling that honor both our archives and our living, breathing presence?
https://dichotomy2.tumblr.com
Cowbells&Bakedbeans
